Article
51 Mitchell Hamline L. Rev. 40 (2024)

The Myth of the Guilty Suspect: Confession, Narrative, and Political Assent

By
Susan L. Tanner

The interrogation room is dimly lit, tension palpable in the air. A seasoned detective leans across the table, her piercing gaze fixed on the suspect. “We know you did it,” she says, her voice calm but firm. “Your fingerprints were all over the murder weapon.” The suspect’s eyes widen, a flicker of doubt crossing his face. “That’s impossible,” he stammers, but the detective presses on. “We have you on camera entering the victim’s apartment at 9:15 p.m., right around the time of death.” The suspect shifts uncomfortably, his resolve visibly crumbling. “But I didn’t . . .” he begins, then falls silent, his brow furrowed in confusion.

The detective leans in closer. “Look, we have all the evidence we need. The only question now is whether you’re going to tell us your side of the story.” She pauses, letting the weight of her words sink in. “This is your chance to explain what happened. Maybe it wasn’t premeditated. Maybe it was self-defense. But if you don’t talk to us now, a jury is going to see all this evidence and assume the worst.”

After a tense silence that seems to stretch for eternity, the suspect breaks down. “Alright,” he says, his voice barely above a whisper. “I did it. I killed her.” His shoulders slump in defeat as he begins to recount the details of the crime. The detective’s face shows a mix of satisfaction and grim determination as she signals to her partner to begin taking the official statement. Another case closed, another confession obtained, another criminal off the streets.

This scene, familiar to anyone who has watched a police procedural drama, reflects a deeply ingrained belief in our society: that confessions are the ultimate proof of guilt, a moment of truth where the perpetrator finally admits to their crimes. The detective’s tactics—presenting false evidence, applying psychological pressure, and offering vague promises of leniency—are portrayed as clever and necessary tools to uncover the truth. The confession itself is presented as the climax of the investigation, a definitive resolution that leaves no doubt about the suspect’s guilt.

However, this belief, reinforced by countless media portrayals, stands in stark contrast to a growing body of evidence suggesting that confessions are not always reliable indicators of guilt. In fact, the very tactics depicted in this scene—lying about evidence, manipulating the suspect’s perception of their situation, and applying psychological pressure—have been identified as factors that can contribute to false confessions.